He calls them "Horses with wheels" and is considering putting me on trial for witchcraft because I have a lighter in my pocket or as he calls it "The evil magic fire stick". Simone is still shocked when he sees cars on the road. Once they have finally worked out how to post produce a job they then have to get Old Man Gratt on the grade and here the problem gets even worse. He thinks it's something to do with tennis. Luke is still amazed by light bulbs and Josh is constantly moaning about having to access the work server. In fact the only way Josh can get hold of Luke is by phoning his parent's home phone number from memory and speaking to Mrs Todd to ask if "'Luke can come out to play." They then have to make rigid plans as to where to meet at a specific time because simple technology is beyond them. Remember a time without mobile phones? Josh and Luke do. The film premieres on Netflix on the 26th August and celebrates the Olympic spirit in a week that would have seen us enjoying the drama of the Tokyo 2020 Paralympic Games. Sound design by our dear friend Will Cohen at String and Tins. Look out for the ancient statues depicting each of the athletes that feature in the film. Conform, grade and a host of 2D, 3D and design work add to the spectacle of the story. Rising Phoenix is the second film that Time Based Arts has completed full picture post on. It is a beautifully crafted and powerful documentary with an important message of human endeavour and achievement at its core. It features several of the participants and their inspiring personal journeys to becoming elite athletes. The film charts the turbulent history of the Paralympic Games from its inception to the global pageant of London and Rio. Having directed the BAFTA nominated portrait ‘McQueen’ in 2018, the duo have turned their attentions to the Paralympic Movement. Rising Phoenix is the latest feature documentary from film makers Ian Bonhôte and Peter Ettedgui, and our most recent collaboration. We also onlined and graded the project providing full picture post. We went on to design the visual identity of the film and build an analog pipeline to allow us to bring the authentic textures of the period to all of the graphical content. Time Based Arts helped in the development of the project with Film Five. GLADBECK:THE HOSTAGE CRISIS tells this gripping story exclusively using archive materials, including news, live reports, telephone recordings and amateur recordings made over the three days of the hostage rampage.The film is an unsparing look at the moment when news became merchandise and crime became spectacle - it marks the beginning of an era that persists today. For three days, the eyes and ears of the entire country are glued to live television, live radio and newspapers – and before it’s all over, three innocent people are dead. As the hours turn into days they hijack a bus carrying almost thirty passengers.The police lose control of the situation while reporters get a whiff of a sensation and inject themselves into a crime that blossoms into a media event. Gladbeck, Germany, August 1988: Two gangsters rob a bank, take two bank employees hostage and embark on an odyssey across West Germany.
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